Discipulus Folium

My students' work

''Too much learning is not needed in a prince’, replied his mentor.''
Dixon Two Queens III. xiii. vi. 36 (1873)

Discipulus Folium

Student Work Section

This section contains the work of my students.  I am blessed to be surrounded by such gifted students.

Courses I Teach

Typography, Methodology, Production, Research, Play.

If there is

any work in this portfolio that catches your eye—

and your agency

would like to interview one of my talented students—

Get in Contact with my Students

Please contact me for more information.

Packaging/Product Design (Chelsea Shiff)

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NegativLand (Lucy Prouty)

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Methodology Book (Lucy Prouty)

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Methodology Book Series (Meagan Lechleiter)

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Savhaiti Final Type Book (Sarah McDonough)

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Packaging (Shannon Thomann)

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NegativLand Event Poster Holder (Seung Hae Choi)

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Packaging Product Development (Jared Hansen)

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Packaging (Soyoung Kim)

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NegativLand Event Invite (Lucy Prouty)

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Type II Savhaiti (Mafe Sotillo)

Type II project envisioning typographic and image identity for the mythical island of Savhati, located off the coast of Georgia.

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Type II Savhaiti (Nathalia Aguilar)

Type II project envisioning typographic and image identity for the mythical island of Savhati, located off the coast of Georgia.

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Type II Savhaiti (Sarah McDonough)

Type II project envisioning typographic and image identity for the mythical island of Savhati, located off the coast of Georgia.

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Type II Savhaiti (Jennifer Maciuszek)

Type II project envisioning typographic and image identity for the mythical island of Savhati, located off the coast of Georgia.

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Type II Savhaiti (Kelli Carley)

Type II project envisioning typographic and image identity for the mythical island of Savhati, located off the coast of Georgia.

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Type II Savhaiti (Gia D’Orazio)

Type II project envisioning typographic and image identity for the mythical island of Savhati, located off the coast of Georgia.

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Type II Savhaiti (Erik Binggeser)

Type II project envisioning typographic and image identity for the mythical island of Savhati, located off the coast of Georgia.

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Type II Savhaiti (Meagan Lechleiter)

Type II project envisioning typographic and image identity for the mythical island of Savhati, located of the coast of Georgia.

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Methodology Book (Brian Memmott)

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Methodology Book (Rhett Forbes)

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Package & Product Design (Rebecca Redante)

Rebecca crafted this elegant camper’s tool kit from reclaimed natural materials. The gray flannel that covers the inside also ensures the items fit snugly into the box when closed.

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Package & Product Design (Alissa Neal)

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Package & Product Design (Taylor Pollack)

Taylor conceptualized, designed, and crafted this series of kaleidoscopes—made from reclaimed materials. Taylor incorporated the design inside each kaleidoscope as the mark used on the kaleidoscope label.

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Package & Product Design (Mafe Sotillo)

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Package & Product Design (Jason Jaring)

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Package & Product Design (Shannon Fidler)

Shannon developed an artists carrying case made form reclaimed denim and other materials. She created a wood box, and an identity program for the project. She also created an ‘artist system’ to get you started.

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Package & Product Design (Christina Echarte)

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Package & Product Design (Emily Harding)

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Package & Product Design (Aaron Beattie)

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Package & Product Design (Tanner Crook)

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Direct Mail (Shannon Fidler)

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Direct Mail (Mafe Sotillo)

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Direct Mail (Alissa Neal)

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Direct Mailer (Rebecca Redante)

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Type Anatomy Poster (Galen Lockwood)

Designed for my Typography One course (www.gkldesign.com).

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Packaging Graffiti Markers (Evan Farrell)

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Direct Mail (Christopher Mayers)

Chris developed this multilayered  direct mail piece in  response to my “Negitivland’ project.

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Direct Mail (Breyna Fries)

Breyna’s final solution to the ‘Negativland’ project was to crate a mailer containing multiple layers of meaning.  As the viewer holds the invite and pulls back the matchsticks, additional narratives appear.

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Poster (Victoria Spriggs)

Victoria hand rendered this poster using stencils.  She then scanned them into Photoshop and applied spot colors to each layer, mixing spot colors to achieve this vibrant solution.

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Poster (Bristol Dunlap)

Bristol mixed three spot colors to achieve this wonderfully evocative solution.

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Type Cubes (Various)

Type Cubes were developed from patterns of rhythms that were culled from music.  These rhythms were then translated onto the three dimensional surface of a cube.

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Poster (Brian Wooden)

Poster designed for local Savannah band.  Silkscreen, Scanned and composited in Photoshop.

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Robot Wars (Various)

Robot Wars is a contest in my graphic design production class.  Students are tasked with designing a 3d piece, which they then must package in a flat form (complete with instructions).  Its a packaging assignment in reverse.

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Illustration (Giovanni Buie)

Giovanni used Adobe Photoshop to create this self portrait.

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Illustration (Danielle Raynal)

Daniell created this self portrait with Adobe Illustrator.  She used gradient meshes to achieve a painterly look.

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Package Design (Jackie Imirie)

Jackie created and branded her own tea product line.  She used color and active verbs to encode the tea flavors.

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Illustration (Peter Clark)

Using only Adobe Illustrator (Gradient mesh tool), Peter skillfully created a painterly look to his self portrait.

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Illustration (Allison Harlow)

Allison pushed Adobe Illustrator’s natural drawing techniques to  their breaking point with this wonderful illustration that appears to be drawn with traditional tools.

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Illustration (Raven Fields)

Raven illustrated this work for my vector/raster course.  Her digital painting skills are remarkable.

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Book Design (Dan Ogren)

Dan designed and authored this book about his creative methodology.  On the left-hand side he analyses his process, on the right-hand side he abstracts it.

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Package Design (Ishii Kazuyuki & Dan Ogren)

Ishii and Dan conceived, branded, and packaged a family meal in a box experience with this unique reworking of the traditional family spaghetti  dinner.

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Book Design (Frances Palmer)

Frances created an interactive book design by cutting her book in fourths and spiral binding it.  The reader is able to mix and match each spread—creating a new narrative with each reading.

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Product Design (Gloria Wu)

Gloria’s design for a dog ‘fetch toy’ and ‘poop bag’ dispenser is both amusing and functional.  Every part of the package is reused and repurposed.

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Book Design (Gloria Wu)

Gloria’s creative methodology book contains a hidden ‘subtext’ within the french folds—only when opened, it is revealed.

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Direct Mail (Gloria Wu)

Gloria designed this direct mail package for the experimental band, Negativland.  The package contains a booklet about the band and containers of Negativland songs that allow users to ‘remix’ their own Negativland songs.

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Poster (Jackie Imirie)

Jackie’s sequential art format creates a sense of drama in this poster for Othello.

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Direct Mail (Ishii Kazuyuki)

Ishii designed this direct mail piece for an imaginary retrospective of the band Negitivland.  The posters, when placed on top of each other, reveal a secret message.

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Poster (Ishii Kazuyuki)

Ishii used video games as his metaphor for this unique Macbeth poster,  Ishii created four stencils and applied spot colors to each.

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Book Design (Yolisa Bobb)

Yolisa documented her creative methodology in realtime while producing the book.  Images, post-it notes, doodles were all captured and repurposed into a cohesive narrative of her methodology.

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Poster (Yolisa Bobb)

Yolisa created stencils and set down a layer of spray paint that she then scanned and applied spot color to.

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Poster (Frances Palmer)

Frances designed this four spot color poster for the play Hamlet using stencils and typography as her mail graphic elements.

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Packaging (Greg Richards)

Greg developed a unique and effective packaging solution for a Western Digital USB drive.  Every surface of the package is serves as a decorative and practical function.

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Product Design (Chung Min Yeon)

Chung Min Yeon created a delightful (and useful) product for one’s cluttered desk— a post-it-note holding, pencil carrying, reminder displaying mexican burro.

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Book Design (Samantha Fox)

Sammantha Fox employed hand rendered patterns, type, and images to create this stunning book on her creative methodology.

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Book Design (Taslim Abdallah)

Taslim created this wonderful design artifact that illustrates her creative methodology.  She employed various paper stocks, as well as pressed wood and other fibers in her final solution.  She literally tied her concepts together using thread to illustrate physically, how interconnected we all are to each other.

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Book Design (A. Getz)

A. Getz designed this book on his creative methodology with a very sophisticated eye blending pattern type and image in this expertly crafted artifact.

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Book Design (Greg Richards)

Greg Richards designed this book about his creative methodology. He used multiple paper types and ink techniques. He used a classic grid based on an Emil Ruder publication with modern metallic pantone inks to achieve an unusual modern/retro look and feel.

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Book Design (Erin Mercurio)

Erin used the graphic language of map topology to illustrate her creative methodology in this publication.  Her final solution was effective, powerful and masterly crafted.

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Product Design (Andrew Wolson)

Andrew  redesign packaging for skateboard wheels.  ”I wanted to add a level of interactivity that incorporated the spirit of skateboarding. I used two of the wheels to make a printing press when the wheels are dipped in ink and rolled over a surface.” (AW)

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Book Design (Wade Winebrenner)

Wade designed this book about his creative methodology using his past projects to illustrate his various methodological approaches to creative graphic problem solving.  His craftsmanship in the production of this book was flawless.

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Book Design (Audrey Raudabaugh)

Book written and designed by Audrey Raudabaugh.  She was assigned to write and design a book that explored her creative methodology.  This book used letters and postcards that guided the reader through Audrey’s creative methodology in a playful,  interactive and nonlinear manner.

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Product Design (Krisna MacDonald)

Packaging for bow-tie product.  The package acts as a storage device for multiple bow-ties. the design of the tie is displayed on the side of the box.

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Packaging (Samantha Fox)

Simple, yet effective packaging solution for hangers.  Package has multiple die-cuts to enhance and push out the graphic representation of the rib cage.  The material is produced from reclaimed cardboard packaging.

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Packaging (Terrence Fradet)

An eco-bulb and a plant in one package… a “Power Plant!”  An example of wonderful die-cuts and beautifully silkscreened solution.

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Product Design (Audrey Raudabaugh & Erin Mercurio)

Audrey and Erin teamed up to produce  packaging solution that is also a product.  An urban garden system: the package becomes the planter. Every element in the package has multiple uses.

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Packaging (Kevin Craft)

Kevin designed both a product and a package.  The product is a biodegratable flower (seedling) planter.  The entire project is biodegradable and printed with sustainable, soy inks.

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Packaging (Jack Horner)

Jack Horner designed this case for a pair of safety glasses.  He incorporated a black light (LED) into the package to create a glowing effect of the silkscreened type and glasses.

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Packaging (Amy Dick)

Tea Package Design for my graphic design production course at Savannah College of Art and Design (fall quarter 2010).

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